In this series, the figures dissolve into the landscape, tracing a porous boundary between matter and spirit. Body and nature intertwine in a single rhythm, in a state of symbiosis and continuous transformation.
The series depicts landscapes with trees where human and animal figures are partially hidden among trunks or blend into the background. It plays with the tension between concealment and revelation, turning observation into an exercise of attentiveness and discovery.
In a distant future, archaeologists and anthropologists examine the remnants of our civilization, vestiges of what will come to be known as the Anthropocene. Amid fragments of forgotten objects and structures, they reconstruct habits, beliefs, and relationships. They encounter echoes of superstition disguised as religion, hierarchies and inequalities that shaped lives and bodies, gender and racial tensions, and systems that organized production and desire. All of this reveals, between curiosity and perplexity, a humanity that sought to dominate its environment without reckoning the consequences.
Four women, four seasons. Dresses stained with colors that breathe summer, autumn, winter, and spring. Heirs to an ancestral tradition that gives a human face to nature, they evoke both the beauty of myth and the contemporary question: Do we see the world in its difference, or only in the reflection of ourselves?
In this series, the nymphs appear as symbols of the elusive: vital forces that escape rational sight and yet shape our experience of the world. The painting becomes a space where myth and the present converse, where the abstract gives form to the invisible, and the figurative suggests traces of the sacred in the everyday.
These landscapes invite us to explore worlds where color and texture create a quilt of sensations. Among mountains, rivers, and clearings, small human and animal figures camouflage themselves, evoking the history and secrets of each place. The series awakens curiosity and attentiveness, reminding us of the connection between nature, memory, and hidden stories.
During the pandemic, the home became a universe. Everything happened indoors: work, rest, encounters, and solitude. It was necessary to learn to live with confinement, to maintain routines with order and patience. These works evoke that time through abstraction, where the chaos of daily life blends with recognizable objects—fragments of a secluded life seeking harmony amidst uncertainty.
In these works, the everyday becomes a poetic moment. Minimal gestures resonate in the warm interior light. Every color, shadow, and corner of the home transforms into an echo of intimacy, where the domestic reveals its silent rhythm and hidden beauty. Inspired by Vuillard and the Nabis, the series invites viewers to pause, to observe the simplest gesture, and to recognize in it the delicacy and harmony of daily life.
The use of mixed media allows me to explore the tension between the spontaneous and the constructed. The materials contribute color, form, and traces that enrich the reading of the work. More than singular images, these pieces are fragments of an open process, where experimentation and intuition coexist. The series invites viewers to look beyond the surface and discover a distinct narrative in each painting.
Cafés and bistros of the past century: spaces where bohemian life unfolded amid conversations and silences. Glances that meet, waits that suspend time, fleeting gestures of solitude or intimacy.
The series brings together portraits that oscillate between realism and abstraction. Each work seeks to reveal different dimensions of identity: from the concrete presence of the face to its freer, more subjective expression. At this intersection of languages, the portrait becomes a space for exploration and inward reflection.
This series of landscapes, with an impressionist touch, seeks to capture the fleeting quality of light and the movement of nature. Each work is built from free brushstrokes and vibrant colors that convey atmospheres rather than literal depictions, inviting the viewer to contemplate the moment in all its intensity.
